EastWesterly Review Home -- Blog -- EastWesterly Review -- Take2 -- Martin Fan Bureau -- Fonts a Go-Go -- Games -- Film Project -- Villagers -- Graveyard

Custom Search

EastWesterly
Review

Issue 25
Issue 24
Issue 23
Issue 22
Issue 21
Issue 20
Issue 19
Issue 18
Issue 17
Issue 16
Issue 15
Issue 14
Issue 13
Issue 12
Issue 11
Issue 10
Issue 9
Issue 8
Issue 7
Issue 6
Issue 5
Issue 4
Issue 3
Issue 2
Issue 1
   
Foundling Theory Fund

Conferences

16th Annual
15th Annual
14th Annual
13th Annual
12th Annual
11th Annual
10th Annual
9th Annual
8th Annual
7th Annual

Letters from the editor

Submit your article

Links

Get e-mail when we update our site. Your e-mail:
Powered by NotifyList.com
help support us by
frequenting our sponsors

In association with Amazon.com
© 1999-2009
Postmodern Village
e-mail * terms * privacy

 

Popcorn, Aisle 7; Beans, Aisle 15
by E.W. Wilder

Originally intended as the verse introduction to Bean Newton’s unfinished prose-poetic essay on the nature of hip-hop, fast-food, politics, and Arsenio Hall’s “funky finger” in the framework of the postmodern, “De la Suck” almost stands on its own. Recalling the invocations to the gods that were characteristic of the beginnings of classic epic poetry, Newton lists the various spiritual essences he wishes to evoke in order to accomplish his goal.

That the project was abandoned in 1996, two years before Newton’s death, could be an indication of his relative success at appeasing the Supernatural Realm.


De la Suck - An Introduction
by Bean Newton

Some kind of deep mercantilism of the soul;
Some kind of cheap merchandising of the shoal;
Some kind of weird wing-walking of the stove;
Some kind of loose canonization of the sloe;
Some king of French morals for the soul;
Some kind of freakshow;
Some kind of knit-brow archeology of the show;
Some kind of linked-target moss-making system of the soul;
Some kind of chalkboard eyetooth of the historical seasoning;
Some kind of ghastly manioc of the soul;
Some kind of paleolithic retinopathy of the soul;
Some kind of rainwater displacement program for the snow;
Some kind of apeman monstergiblet of the blow;
Some kind of rubberized moshpit;
Some kind of existentialist mea culpa of the brainwashwaves;
Sure kind of ethical chasm, regurgitating the raw bits of drowned sailors
Of the soul;
Of thee,
I sing.
Of thy animistic dinoflagellate, of thy megalomaniacal pantyliner, of thy sullen teenager sulking in her stinking hole of a bedroom slowly sucking a bong and listening to Morrissey (of the soul) sing I.
Of that outraged soul fart,
of that fish-mongered womb-pit effervescing measles,
of that wretched cerebral refuse,
of that Dickensian nightmare of dashes and half-lines,
of that tea-leaved divinated workhouse,
of that tatter-leafed wormhole,
of that psychotropic corn-palace seething in sidereal steam,
of that drag-queen charity ball,
of that simian sex pump of festering god-goo,
of that refried bean purveyor of greater Newton,
of that angry moleskin,
of that hypoxia,
of that long and lone and law-forbidden soul creep I speak.